Vivaldi visited the concerts in Legrenzi’s house, where the audience listened to new works of the owner and his students. Legrenzi was interested in the young violinist and taught him to play the organ and make a composition. Being ten years old, the boy started replacing his father, who worked in one of the conservatories of the city. From early childhood, his father taught him to play the violin, took him to the rehearsals. However, it is possible this disease contributed to the development of his talent. That is why he lived the life of a semi-handicapped and suffered from severe asthma. Since childhood, he suffered from a serious defect of the chest. The son of a great violinist and teacher, member of the choir of the San Marco Giovanni Battista’s Cathedral, Vivaldi inherited the talent from his father. The founder of this new form is an Italian violinist and composer Giuseppe Torelli.Īntonio Vivaldi was born in Venice on March 4, 1678. Solo violin concerto form originated in the late seventeenth century. Though there is no doubt that it became well-known a long time before the tragic event. His opus, which included twelve concerts, was published only in 1714, after the composer’s death. Thus, a form of “Concerto grosso” also found expression in the first classical composition of Corelli. Given the practice of playing music, the composers isolated soloist’s party in their writings, as the most responsible and contrasting it with the sonority of the orchestra.
Corelli’s contemporary admirers called him “the new Orpheus” and “Columbus in the music.” In the days of Corelli, several professionals were accompanied by a group of amateurs when performing instrumental music. The melodic nature of the instrument was revealed in the work of this violinist-composer with such force for the first time. Corelli, whose activity was most closely associated with Rome. The honor of creating the Italian violin school belongs to A. The new instrument with its rich colors and individual timbre sound opened unprecedented opportunities for the realization of the variety of emotional states. In the seventeen century, Italian violin and its family of strung, such as viola, cello, and double bass, nominated in the first place. In the urban culture, the violin gets rapid spread. Sonority and even sharpness sound distinguish it from the languid, aristocratic tone of viola da gamba. The situation of the “open-air music” violin goes into an aristocratic salon or a church without losing connection with the people’s life. Being purely traditional in origin, it acts as a carrier of the new democratic culture.
ANTONIO VIVALDI INTERESTING FACTS PROFESSIONAL
Violin became known as the new professional instrument in the middle of the sixteenth century. In his time, the Italian masters demonstrated traditional superiority in this area. Vivaldi was not the first, in whose work violin took the center stage. He surpassed the genre in quantitative terms not only of his contemporaries but everyone whoever wrote for violin. However, the most significant of his achievements are associated with the development of the musical instruments, especially the Violin Concerto. Vivaldi made a significant contribution to a variety of musical art of his time. Handel – in Germany, Vivaldi – in Italy, etc. They summed up the development of this period – J.S. The most striking, distinguishing, and creative persons in the musical art of the Baroque were nominated not in the beginning, but also in the end of the period. Gigantic figures of Raphael and Michelangelo, who have spearheaded the Baroque, long defined the character of development in painting and sculpture, in spite of some considerable deviations from the ideals bequeathed to them. Baroque art prepared by the development of the Renaissance is a decisive break with medieval Gothic austerity, which is more filled with a powerful charge of life in all its manifold manifestations. It covers many different artistic phenomena from the end of the sixteenth century, which marked a community’s majestically solemn style and a wealth of ornamental decorations. Literally, it translated as “artsy” however, the concept is much broader than baroque in its content. Antonio Vivaldi came to the arena of European art at the end of a long period of development, known as the Baroque.
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